Vocal Recording Techniques, What makes for good technical vocal Options

[sonickid23]

So I've been doing some reading in this forum and have learned that, yes a large part of a good vocal involves the talent of the singer. However, technically what makes a good vocal recording?...after recording some of my own vocals and comparing to some CD's of mine I realize they need some sprucing up. I've heard about limiters and compressers and equalizers, yet I have NO CLUE what these do. I have fiddled with them a bit and can definitely hear a difference in the sound, but I guess my question is"What is the desirable vocal sound/quality?" and "How is it achieved?"...I'm sure this will spur a multitude of different answers...so I guest every just give your two cents. Thanks

[artofmixing]

I think a good thing to have in mind when recording vocals is that the vocalist is the most important part of the signal chain - make sure they are fully warmed up and relaxed to produce that memorable performance - I generally apply a compressor in the signal chain when dynamics are excessive and in terms of mixing, after the recording stage, emphasize the 5kHz frequency (or around this region) for vocal presence and a boost between 10-15kHz to cut the vocals through and make them sound more airy. Taping a pencil vertically to the pop shield improves its ability to prevent s and p blasting.

I like to use the AKG SolidTube 6-12 inches from the singer with low frequency roll-off filter on to produce warm, intimate sound.

This post has been edited by artofmixing: Wed 3 Jun 2009, 15:06