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> Ns10s ....do They Just Look Good?, ..not enough bass.......
post Wed 24 Jul 2002, 01:17
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the high end is very harsh (loud) and seems not too have anough bass for the little black box.
.......
are these good for electronic music?
..or just for rock/jazz/pop...
i know every high end studio has a pair, but maybe cause they record rock/jazz/pop, and not 4/4 beats.
......
when i finish a track and it sounds good on them...
..i play it on a stereo and there is no bottom, and just sounds different.
,,,,,,
heX
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lepetitmartien
post Wed 24 Jul 2002, 15:48
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First, you _can't_ sort bass from a small box, it's impossible physically.

Second, they are known aspecially for their worst possible hifi speaker available looklike. Well it's not exactly that, but the common knowledge is: if it can't be ok on these, it'll be everywhere else.

They don't have a balanced sound, they are harsh, tiring etc. But some engineers love them, other hate them, some even don't care wink.gif

The main use of a monitor pair is to give an "acurate" (mark the word) vision of what's going on. It doesn't obligatory mean that it's truth, or equal, or hifi, or whatever. Neither about Electronica, tango or poppy things. It's that the engineer knows what a mix SHOULD sound like on.

quite different.

Some say and prefer NS10s or a bit more delicate monitor, other want as neutral monitoring as possible.

The room is to be taken into account (at least at high levels).

So a monitor is not (some say that, not my opinion) linked to a type of music, but to a type of ears (the engineer model BTW wink.gif and a type of brain that can interpret correctly the mix thru it to make something sensible with it.

If you have them for some time, have listened a lot of (diferent) music thru it, used them for mixing, and that the result is not top notch. either you don't use your ears and brain correctly, or it's just not the monitors for you.

Btw you posted in the wrong forum, bad boy (spank spank wink.gif


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