![]() |
![]()
Post
#1
|
|
![]() Member ![]() ![]() Group: Validating Posts: 76 Joined: 08-Jun 02 From: London Member No.: 5,004 ![]() |
Hi,
I am confused about single output things such as mic's and the RNC comp I was about to buy - isn't it better to have their signal split into two by a compressor that has left and right outs? Why then, does such a compressor only have one out per channel? bear with me, thanks J -------------------- Macbook Pro 2 ghz/15"/10.3.4/1 g RAM/x2 monitors/Logic Pro 7.2/Ableton Live 5.0/Reason 3/Fireface 800/PSP Vintage Warmer/Roland JD800/Roland SH101/Arturia Moog Modular/Epiphone Firebird 7/Guitar Rig/Dynaudio BM5a monitors.
|
|
|
![]() |
Replies
![]()
Post
#2
|
|
Junior Member ![]() ![]() ![]() Group: Members Posts: 178 Joined: 14-Mar 05 From: - Member No.: 62,351 ![]() |
QUOTE I take it there is no particular advantage to doing this (as that is not 'proper' stereo) and I may as well have been going through just the one of the channels on the Behringer. That is correct. QUOTE I would rather go the software route - can you recommend a standalone compressor that's good for vocals/guitar? Wouldn't you rather be using the compressor as a plug-in in your recording software? Some of my favourite software compressors include the basic allrounder Waves Renaissance (not forgetting Waves C1) + the more lavish Focusrite d3 and Drawmer Dynamics. There's also the less expensive new Sonalksis dynamic processors, but I haven't had time to check them out yet. I believe there are demo versions of most of the software I mentioned available, just check them out yourself and pick what's best suited for you. QUOTE I really appreciate this, it's been a hole in my knowledge that has been bugging me for a while. Glad to be able to help. |
|
|
Posts in this topic











![]() ![]() |
1 User(s) are reading this topic (1 Guests and 0 Anonymous Users)
0 Members:
