Digi Or Motu, audio interfaces for snow leopart , logic pro and macbookpro |
Tue 27 Jul 2010, 13:03
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#1
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Newbie Group: Members Posts: 11 Joined: 27-Jul 10 Member No.: 114,730 |
hello!
im new here and would like get opinions about the audio interfaces in market firewire 800? there are only 2. It's ok wth fw400? 64 bits front 24 or 32, its necessary? the mics pream are important? i am thinking that it would be better have a good preams and then an audio interface with several imputs. i want to record a large piano (in stereo), acoustic bassand drums also to compose with samples and keys wth midi /or usb. thanks a lot for your ideas? pd: some one speak spanish is better for me |
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Wed 28 Jul 2010, 14:50
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#2
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Moderator In Chief (MIC) Group: Editors Posts: 15,189 Joined: 23-Dec 01 From: Paris - FR Member No.: 2,758 |
No habla Español, sorry…
- All Apple computers right now are 64 bits. It only affect the way they handle data and accessible memory. it's different from the way the audio engine in software works audio and the bits/sample rate of audio files. If you're more precise maybe I'll can explain more. - Mic pre on interfaces are usually decent, but not much more. You can get a better choice from using separated pre you plug in the interface. -------------------- Our Classifeds • Nos petites annonces • Terms Of Service / Conditions d'Utilisation • Forum Rules / Règles des Forums • MacMusic.Org & SETI@Home
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Wed 28 Jul 2010, 19:39
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#3
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SuperHero Group: Members Posts: 4,781 Joined: 19-Nov 02 From: Bruxelles - BE Member No.: 9,408 |
+ 1 with LPM's reply about the preamps.
It should be better to buy a very good preamp + a multiple out's audio/midi interface. RME is a good choice in FW800, believe me, and also forget the DIGI002-3. But, it's finally up to the amount of money you get in your pockets. -------------------- MacPro dual 2.66 - 8 Go - SL10.6.6- DP 7.2.1 - RME FFCE 800 - URS, Sonnox, Stilwell, Nomad Factory, Kontakt 4.2.2, Trillian, Stylus, EZ drummer, SD2, UVIworkstation, Altiverb - KRK - JBL
Neve 8801 - Brauner - Roland A-37, etc. |
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Thu 29 Jul 2010, 07:01
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#4
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Newbie Group: Members Posts: 11 Joined: 27-Jul 10 Member No.: 114,730 |
thanks a lot, men!
i was thinking there aren't no replies, for the older data of messages petit martin (and melenko) i'd like speak french, but i cant (yet) D'acord, i understand (martin) the audio interfaces record audio data at 24 bits, but the machine works at 64 b. Oook!, i think it would be better take an firewire 800 (RME), more expensive but faster I'll have not any problem wth mac? i hear some problems in people wth this interface i could take the 003 to get the protools sofware I'm interested to have it so, the motu goes out of my preferences thanks a lot, guys, and a pleasure to hear yours opinions i am pianist, you want to visit: www.myspace.com/danirambla |
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Thu 29 Jul 2010, 08:02
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#5
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Newbie Group: Members Posts: 11 Joined: 27-Jul 10 Member No.: 114,730 |
hi,
last question: USB.2 or Firewire 400 i think are similar the best, FW800 and... do you know SF-PRO24/DSP (Focusrite)? its very cheap (300€<>) to the options (16in/8out) and the preamp micro (2 , i think)...are good, or...? see you (all) up the music!!! |
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Thu 29 Jul 2010, 22:44
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#6
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SuperHero Group: Members Posts: 4,781 Joined: 19-Nov 02 From: Bruxelles - BE Member No.: 9,408 |
Don't forget what we have sayed, better to have a good preamp.
And then why not a good interface like Focusrite. But best results could be attempt with a better interface like the RME. It's up to you now! I use RME FFce 800 4 years now, and that stuff is very good. Some minor problems, and a very good warranty. This post has been edited by melenko: Thu 29 Jul 2010, 22:46 -------------------- MacPro dual 2.66 - 8 Go - SL10.6.6- DP 7.2.1 - RME FFCE 800 - URS, Sonnox, Stilwell, Nomad Factory, Kontakt 4.2.2, Trillian, Stylus, EZ drummer, SD2, UVIworkstation, Altiverb - KRK - JBL
Neve 8801 - Brauner - Roland A-37, etc. |
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Fri 30 Jul 2010, 00:16
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#7
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Moderator In Chief (MIC) Group: Editors Posts: 15,189 Joined: 23-Dec 01 From: Paris - FR Member No.: 2,758 |
The fact the computer is 64 bits has nothing to do with the way audio is recorded or worked. What is important in working audio is the bit depth you record (16 or 24, more starts to appear, but it's over the top right now) and the frequency. On the software side it's the way the audio engine handles audio and do it's maths. In software, it's better to have an audio engine in 32 bits or more, "floating" is better (more values possible than unfloating).
If you plan to record a piano and some drums, you need at least a the minimum entries to record them all at once. That is at least two stereo couples or more for direct micing of the drums. -------------------- Our Classifeds • Nos petites annonces • Terms Of Service / Conditions d'Utilisation • Forum Rules / Règles des Forums • MacMusic.Org & SETI@Home
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