Garritan Personal Orchestra, Power Requirements |
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Tue 14 Sep 2004, 07:24
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Rookie
Group: Members
Posts: 33
Joined: 23-Feb 04
From: Oxford - UK
Member No.: 36,665
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I had a g4 with 1.5gig of RAM and it would only deal with 4 GPO's at once - you had to freeze them all the time as well which isn't great.
I now run a dual G5 2.0 with 2.5gig and it flies. GPO is great by the way
The only problem I have had is similar to your glissando problem. It just seems like it can't handle that number of notes that fast. I slowed the tempo right down and played it in real slow and then sped it up - and it got to a certain tempo and just started sqawking at me. again freezing the track solved the problem.
Cheers M
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Dual 2GHz PowerPC G5 / 2 x 19" Formac Monitors / Hammerfall Digi 9652 / Mackie d8b / 2.5 gig RAM
iMac G5 1.8 17" / M-Audio 1814 Firewire / Tascam TM-D1000 / 2 gig RAM
Lacie Firewire Drives
Logic Pro 7 / NI Battery - Guitar Rig - B4 / GMedia MTron / Crystal / LinPlug RMIV / OSX 10.3.6
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Tue 14 Sep 2004, 14:39
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Rookie
Group: Members
Posts: 45
Joined: 17-Feb 04
From: Aarhus C. - DK
Member No.: 36,091
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Ok, so you guys wouldn't recomend GPO on a 1 Ghz G4... I've been thinking about getting it, but if takes up CPU power like you say, then I'll reconsider.
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electronicmusic.dkPowerbook G4 1Ghz, 768 MB RAM, OS X 10.3.9, Motu 828 mkII, Behringer BCF2000, Oxygen8 Logic Pro 7.1, Live 4, Max/MSP 4.5, Finale 2005, NI Komplete 2, Waves Musicians 2, T-Racks, Amplitube, CamelSpace
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Tue 14 Sep 2004, 15:14
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Newbie
Group: Members
Posts: 8
Joined: 03-Dec 03
From: Sydney - AU
Member No.: 30,247
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Hi Guys, re: using large orch. libraries. Everytime a new Mac hits the shops (G5), sample manufacturers up the ante by releasing even bigger libraries. There will be a time when this cycle will stop ( probably about a G8!!!), but until then,we're all stuck. Ever thought about buying 4 Macs and 4x versions of Logic and sync 'em all together? Expensive, but at least big projects could be done. I'm thinking of getting some second- hand G4DPs and trying this out. Cheers.
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Mon 20 Sep 2004, 00:09
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Member
Group: Members
Posts: 79
Joined: 25-Jan 04
From: Blackpool - UK
Member No.: 34,025
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Hi, 'fraid this post sees me veering slightly off topic in my usual meandering way, but all this talk of harp glissandi took me back 20-25 years to when I was a music student at the R.N.C.M. '80 to'84. My then girlfriend, whos principal study was piano, was a product of the specialist music school Cheetams in Manchester(Chets) which she attended as a boarder from the age of *seven* to eighteen! Strangely, that school seems to turn out a steady stream of prodigeously talented technically superb young instrumentalists, supremely confident of their own talent, well.. until their first inevitable lambasting as the latest generation of critic cannon fodder There are a lot of 'players' but sadly few real but very few of what I would term musicians. (she could sight read and instantly memorise proverbial 'fly shit' or 'squeaky gate' contemporary music, all 'hard quantised' into muscle memory until perfect...All the humanity and feeling of that mad piano roll mechanical sequencer pioneer Conlon Nancarrow, and his completely crazy 'player' piano/pianola compositions which sound like Oscar Peterson having a bad acid trip!! hehe. The young classical soloist obviously has yet to experience life, so they have to emulate their elders performances, but second hand emotion aint the same as subjectively experiencing a life! So they play brillianly but with nothing from the heart, only the head, ie coldly clinical precision, quite sterile. my girlfriend admitted that she felt too exposed and self conscious to play any romantic repertoire which calls for genuine emotional input from the performer; Chopin, Beethoven or Tchaikowsky etc left her unmoved. I guess such intensive competition driven schooling breeds a "classical music is uncool" attitude in its students, I imagined that the RNCM would be an exciting melting pot of fabulously gifted young musos just burning to explore and play with each other. sorry, er.... that came out wrong.... accurate though! (smirk, 'very fine college the RNCM) That brings me neatly back from my misty eyed digression to er...OK here we go: *HARPS AND HARPISTS*! Apparently a certain 6th form female harp student at Cheetams was popular with her male suitors because she could hide 'Casanova' in her voluminous harp case if their nuptials were interupted by a nosey member of staff on night patrol!! There, thats it I'm afraid....., actually, back to the Garritan set, I bought the Garritan PO wa-a-ay back in march I think, but I still havent played with or even heard it as I want to put off installation until the G5 2GHz with a 20" 'new style' flat display eventually arrives. I ordered the G5 back in bloody april or may!! together with audio and midi interfaces, a pair of active Tapco S5 monitors and little 6 ch. Tapco mixer, MOTU's DP4 and a lastly a Kurzweil 2661. Even *THAT* hasnt got here yet!! (petulant sulk) That damned computer will be obsolete before I get my hands on it....never mind, patience is a virtue as they say. regards, Jaysee
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Mon 20 Sep 2004, 02:28
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Rookie
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Posts: 47
Joined: 19-May 03
From: Lewisberry - US
Member No.: 18,134
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That's hysterical!!! *jots the story down in a mental note* this is good stuff No wonder I always wanted to learn harp when I was younger
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