Audio Live : Stéréo Contre Multi-mono, pourquoi si peu d'enregistrements stéréo |
Mon 20 Sep 2004, 21:38
Post
#41
|
|
Moderateur Bouffon Group: Moderators Posts: 3,894 Joined: 06-Dec 00 From: Montpellier - FR Member No.: 22 |
QUOTE (Presto @ Sep 20 2004, 09:24) J'aimerai entendre Heral et son ami Magyar - pour écouter le stereo of course T'as pas un lien? il enregistre chez ECM actuellement, il revient dans une semaine, je lui demande dès son retour -------------------- le heral, parce que je le vaurien
|
|
|
Mon 20 Sep 2004, 22:19
Post
#42
|
|
Moderator Group: Moderators Posts: 3,768 Joined: 07-Dec 00 From: PARIS - FR Member No.: 23 |
QUOTE (abdul6 @ Sep 20 2004, 09:08) ...le compositeur a l'impression de mixer et l'ingé de composer en mixant. Heu... L'électricien n'est, tout comme les musiciens qui jouent d'un intrument identifiable, qu'un interprète de l'Oeuvre ..; Il joue de la console Quelque fois son rôle outrepasse celui de l'électricité, il prend alors une part d'auteur ou de producteur de ladite oeuvre C'est encore une question de profondeur de l'image sterephonique -------------------- Plombier, DéZingueur de HP, ferblantier
|
|
|
Tue 21 Sep 2004, 00:56
Post
#43
|
|
Group: Posts: 0 Joined: -- Member No.: 0 |
Pour ceux qu'aiment le bon gros hard-bop bien ouvert, les deux lives de Greg Osby "Banned in New York" et "Public" (enfin j'ai pas encore écouté public)
(Perhaps unknown to many listeners, Osby's first live album, Banned in New York was an intentional lo-fiâ effort that was recorded direct to a budget Mini Disc recorder, placed on a table directly in front of the bandstand. "I am quite fond of that release," Osby smiles, "and still receive great comments about how it has inspired others." "The new recording," he continues, "was done without any artificial staging, embellishment or audio processing. The result is a truly natural sound that is unlike any live recording that I have heard or been previously been involved with. Most live recordings sound like studio projects that had club ambiance and applause added later during the mix as an afterthought. The sonic space between the audience and the band is usually very significant and the recordings sound quite forced and sometimes even fake and contrived. With this recording, I feel as though we captured exactly what took place during the performance and listeners themselves will feel a part of the total experience." GREG OSBY | Public| Blue Note | Release date June 1, 2004 ) On peut aussi télécharger beaucoup de ses lives sur son site (y en a deux pages) engegistrés avec des minidiscs Pas sûr que ce soit à chaque fois du "pur stéréo". "Banned in New York" en a l'air. |
|
|
Tue 21 Sep 2004, 11:19
Post
#44
|
|
Maniac Member Group: Members Posts: 799 Joined: 24-Mar 02 From: Entre-Deux-Mers - FR Member No.: 3,984 |
QUOTE (bigwawars @ Sep 21 2004, 01:56) GREG OSBY ... ses lives sur son site (y en a deux pages) engegistrés avec des minidiscs Pas sûr que ce soit à chaque fois du "pur stéréo". "Banned in New York" en a l'air. Hehe! Merci I've had to listen with the emac speakers Will have to listen again when I get my Mbox back (left it at a friends 200km away along with ibook and phones ) then put it through my BM6s. Stuck my head against the apple - promising -------------------- Without shit, we wouldn't be here ;)
|
|
|
1 User(s) are reading this topic (1 Guests and 0 Anonymous Users)
0 Members: