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Replies
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Thu 3 Jun 2004, 21:00
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Moderator
Group: Team
Posts: 370
Joined: 19-Mar 03
From: Umeå - SE
Member No.: 14,645
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That seems very unlikely. You can probably:
1) Lower the gain on your pres 2) Engage the pad on your mics 3) Position the singer a longer distance from the mike.
Cheers: Dixiechicken
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Thu 3 Jun 2004, 21:10
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Newbie
Group: Members
Posts: 4
Joined: 29-Aug 03
From: Boone - US
Member No.: 23,805
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She's probably overloaded a few cheap preamps in the past, but if yours has decent headroom and you drop the gain way down you shouldn't have any problem. Actually, the biggest problem I've had with loud vocalists is reflections from nearby surfaces. A singer belting it out can really activate a small room. Good luck!
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Fri 4 Jun 2004, 17:05
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Newbie
Group: Members
Posts: 19
Joined: 06-Oct 03
From: Kettering - US
Member No.: 26,165
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just add a little compression...or, if she's a screamer i'd use the 57 and a pop filter and let her get right up in it.
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Wed 9 Jun 2004, 04:19
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Rookie
Group: Members
Posts: 42
Joined: 18-Nov 03
From: Santa Monica - US
Member No.: 29,150
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Perhaps simply more rugged?
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Wed 9 Jun 2004, 14:08
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Newbie
Group: Members
Posts: 19
Joined: 06-Oct 03
From: Kettering - US
Member No.: 26,165
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screamers don't really need a condensor mic to capture those "special nuances". it just depends on the song really. if it's constant up close screaming than use a dynamic mic(if you want, set up a room mic too?). michael jackson uses 57's on a lot of the early records(not a person i like, but as far as production goes i'm sure he's used it all)...anyway, it's just an easy step to test a few verses out with both and see what you like best. if the songs have a ton of dynamics and the singer only screams every once in a while you might want to condsider a condensor mic and a compressor/limiter.
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