MacMusic.org
|
PcMusic.org
|
440Software
|
440Forums.com
|
440Tv
|
Zicos.com
|
AudioLexic.org
Loading...
visitors connected
Home
Forums
Blogs
Rules
About
Search
Help
Welcome Guest :
Log In
|
Register
440 Forums
>
English
>
Vox Populi
>
Comments
The Practice of Mastering - 3 : The Position of Electroacoustics
, Article
Options
_articles_
Tue 17 May 2005, 20:44
Post
#1
Visitors
Comments about:
The Practice of Mastering - 3 : The Position of Electroacoustics
Replies
_snedman_
Tue 17 May 2005, 20:44
Post
#2
Visitors
Thanks for information that is uderstandable even in this technical space.
Posts in this topic
articles
The Practice of Mastering - 3 : The Position of Electroacoustics
Tue 17 May 2005, 20:44
snedman
Thanks for information that is uderstandable even ...
Tue 17 May 2005, 20:44
« Next Oldest
·
Comments
·
Next Newest »
1 User(s) are reading this topic (1 Guests and 0 Anonymous Users)
0 Members:
Forum Home
Search
Help
English
|-- Mac Music
|---- Getting Started
|---- Music Software
|------ iMusic: iPod, iTunes, MP3 etc.
|------ Cubase & Nuendo
|------ Digital Performer, AudioDesk
|------ GarageBand, Soundtrack
|------ Live
|------ Logic Express & Logic Pro
|------ Metro
|------ Pro Tools
|------ Reaktor
|------ Reason
|------ Plug-Ins and Virtual Instruments
|------ Software on MacOS X
|------ Software on MacOS 9
|------ Development
|---- Audio, MIDI, DSP Cards and Interfaces, Controllers
|------ Apogee
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ Emagic
|------ M-Audio
|------ Mackie
|------ MOTU
|------ Presonus
|------ RME
|------ Tascam
|------ TC
|------ Universal Audio
|------ Other Controllers, Interfaces, DSP Cards
|---- Mac and Peripherals
|------ Mac PowerPC
|------ Mac Intel
|------ Operating System and Other Apps
|------ Hard Drives
|------ Peripherals
|------ Video and Graphics Handling
|------ Internet and Networks
|------ Mac and peripherals ARCHIVE
|---- DJ & VJ
|------ ArKaos
|------ Traktor DJ Studio
|------ Other Hardware and Software for DJ and VJ
|---- Switch PC to Mac
|---- Disabled Persons, Specific Issues and Solutions
|-- PC Music
|---- Getting Started
|---- Music Software
|------ Acid
|------ Cubase & Nuendo
|------ Gigasampler, Gigastudio, Gigapulse, GVI etc.
|------ Live
|------ Logic
|------ Pro Tools
|------ Pyramix
|------ Reaktor
|------ Reason
|------ Sadie
|------ Samplitude
|------ Sonar
|------ Sound Forge
|------ Plug-Ins and Virtual Instruments
|------ Score Editors
|------ Software on Windows
|---- Audio, MIDI, DSP Cards and Interfaces, controllers
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ M-Audio
|------ MOTU
|------ RME
|------ Tascam
|------ Other Controllers, Interfaces, DSP Cards
|---- PC and Peripherals
|---- Switch Mac to PC
|-- Linux Music
|-- Audio
|---- Microphones
|---- Preamps, Recording Channels
|---- Effects and Treatments
|---- Mixing Desks
|---- Monitoring
|---- Technique and Tricks
|------ Studio
|------ Stage
|------ Pre-Mastering and Mastering
|------ Video, Broadcasting, Film
|------ Sounddesign
|------ Sound Theory
|------ DIY, just do it now!
|------ Conception, Building in the Studio
|---- Audio Melting Pot
|-- Synthesizers
|---- Analogue Synths
|---- Digital
|---- Sound Banks, Samples, Programming
|---- Samplers
|---- Electric Pianos, Electric Organs, Mellotrons...
|---- Accessories
|-- Guitars
|---- Acoustic Guitars
|---- Electric Guitars
|---- Bass
|---- Stompboxes, Racks and Effects
|---- Amps
|---- Fingering and Playing Techniques
|---- Accessories and Lutherie
|-- Instruments
|---- Voice and Singing
|---- Drums
|---- Percussions
|---- Piano, Organ, Clavichord...
|---- Strings
|---- Woods
|---- Brass
|---- Accordions
|---- Ethnic
|---- Other Instruments
|-- Music
|---- Wanna Hear Some Music?
|---- Wanna Ear Live Music?
|---- Collaboration Corner
|---- Musical Theory
|-- Business
|---- Copyrights, Licences, CC, Public Domain
|---- Independents, Business
|---- Self production
|-- Vox Populi
|---- Comments
|---- Polls
|---- Consumer's Corner
|---- Open Bar
|-- Site Life
|---- Forum Help
|---- Suggestions, Feedback, Bugs...
|---- Testimonials
|---- Contribute, Organize, Meeting Up
|---- Audiolexic
French
|-- Mac Music
|---- Débutants
|---- Logiciels Musique
|------ iMusic, iPod, iTunes, MP3 etc.
|------ Cubase & Nuendo
|------ Digital Performer, AudioDesk
|------ GarageBand, SoundTrack
|------ Live
|------ Logic Express & Logic Pro
|------ Max/MSP, Bidule, SuperCollider, Pure Data...
|------ Metro
|------ Reaktor
|------ Pro Tools
|------ Reason
|------ Editeurs de Partitions
|------ Environnements de Programmation Temps Réel
|------ Plug-ins et Instrument Virtuels
|------ Logiciels musique sur MacOS X
|------ Logiciels musique sur MacOS 9
|------ Développement
|---- Interfaces et Cartes Audio, DSP, MIDI
|------ Apogee
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ Emagic
|------ M-Audio
|------ Mackie
|------ MOTU
|------ Presonus
|------ RME
|------ Tascam
|------ TC
|------ Universal Audio
|------ Tous les Autres Contrôleurs et Interfaces
|---- Le Mac et ses Périphs
|------ Mac PowerPC
|------ Mac Intel
|------ Système et autres Applications
|------ Disques Durs
|------ Les Périphériques
|------ Gestion graphique et vidéo
|------ Internet et Réseaux
|------ Le Mac et ses périphs (ancien a classer)
|---- DJ et VJ
|------ ArKaos
|------ Traktor DJ Studio
|------ Autres logiciels et matériels DJ et VJ
|---- Switch PC vers Mac
|---- Handicapés, Problèmes et Solutions Spécifiques
|-- PC Music
|---- Débutants
|---- Logiciels Musique
|------ Acid
|------ Cubase & Nuendo
|-------- Cubase sur Mac
|------ Gigasampler, Gigastudio, Gigapulse, GVI etc.
|------ Live
|------ Logic
|------ Pro Tools
|------ Pyramix
|------ Reaktor
|------ Reason
|------ Sadie
|------ Samplitude
|------ Sonar
|------ Sound Forge
|------ Plug-ins et Instrument Virtuels
|------ Editeurs de Partitions
|------ Logiciels musique sur Windows
|---- Interfaces et Cartes Audio, DSP, MIDI
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ M-Audio
|------ MOTU
|------ RME
|------ Tascam
|------ Tous les Autres Contrôleurs et Interfaces
|---- Le PC et ses Périphs
|---- Switch Mac vers PC
|-- Linux Music
|-- Audio
|---- Micros
|---- Préamplis, Recording Channels
|---- Effets et Traitements
|---- Consoles
|---- Convertisseurs
|---- Monitoring
|---- Technique et Pratique
|------ Le Studio
|------ La Scène
|------ Pré-Mastering et Mastering
|------ Le Surround
|------ Video, Broadcast, et Cinéma
|------ Sounddesign
|------ Du Numérique
|------ Théorie du Son
|------ Conception, Construction du Studio
|------ DIY, Juste Fais-le !
|---- Autres
|-- Synthétiseurs
|---- Analogiques
|---- Digital
|---- Sampleurs
|---- Pianos Électriques, Orgues Électriques, Mellotrons...
|---- Claviers Maitres
|---- BAR et Sequencers
|---- Banques de sons, de samples, Programmation
|---- Accessoires
|-- Guitares
|---- Guitares Acoustiques
|---- Guitares Électriques
|---- Basses
|---- Pédales, racks et effets
|---- Amplis
|---- Tablatures et Jeu
|---- Accessoires et Lutherie
|-- Instruments
|---- Voix et Chant
|---- Batterie
|---- Percussions
|---- Piano, Orgues, Clavecin...
|---- Cordes
|---- Bois
|---- Cuivres
|---- Accordéons
|---- Ethniques
|---- Autres instruments
|-- Musique
|---- Musiques à découvrir
|---- Les Concerts
|---- Collaborations
|---- Théorie Musicale
|-- Business
|---- Intermittents
|---- Droits d'auteur, SACEM, SDRAM, SPEDIDAM, CC...
|---- Entreprise
|---- Autoprod
|-- Vox Populi
|---- Commentaires
|---- Sondages
|---- Le Coin Conso
|---- Open Bar
|-- Vie du Site
|---- Aide des Forums
|---- Suggestions, bugs, etc.
|---- Vos Témoignages
|---- Contribuer, Organiser, se rencontrer
|---- Audiolexic
Display Mode:
Switch to: Standard
·
Switch to: Linear+
·
Outline
Track this topic
·
Email this topic
·
Print this topic
·
Subscribe to this forum
Lo-Fi Version
- Wed 27 Nov 2024, 10:41
The Practice of Mastering - 3 : The Position of Electroacoustics, Article
Tue 17 May 2005, 20:44
articles 
