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Article : The Practice of Mastering, part 2
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Tue 29 Mar 2005, 10:47
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Article : The Practice of Mastering, part 2
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Article : The Practice of Mastering, part 2
Tue 29 Mar 2005, 10:47
azusa
Very nice article, concise as mastering engineer s...
Tue 29 Mar 2005, 10:47
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|-- Mac Music
|---- Getting Started
|---- Music Software
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|------ Cubase & Nuendo
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|------ Development
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|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ Emagic
|------ M-Audio
|------ Mackie
|------ MOTU
|------ Presonus
|------ RME
|------ Tascam
|------ TC
|------ Universal Audio
|------ Other Controllers, Interfaces, DSP Cards
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|---- Music Software
|------ Acid
|------ Cubase & Nuendo
|------ Gigasampler, Gigastudio, Gigapulse, GVI etc.
|------ Live
|------ Logic
|------ Pro Tools
|------ Pyramix
|------ Reaktor
|------ Reason
|------ Sadie
|------ Samplitude
|------ Sonar
|------ Sound Forge
|------ Plug-Ins and Virtual Instruments
|------ Score Editors
|------ Software on Windows
|---- Audio, MIDI, DSP Cards and Interfaces, controllers
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ M-Audio
|------ MOTU
|------ RME
|------ Tascam
|------ Other Controllers, Interfaces, DSP Cards
|---- PC and Peripherals
|---- Switch Mac to PC
|-- Linux Music
|-- Audio
|---- Microphones
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|---- Effects and Treatments
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|---- Monitoring
|---- Technique and Tricks
|------ Studio
|------ Stage
|------ Pre-Mastering and Mastering
|------ Video, Broadcasting, Film
|------ Sounddesign
|------ Sound Theory
|------ DIY, just do it now!
|------ Conception, Building in the Studio
|---- Audio Melting Pot
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French
|-- Mac Music
|---- Débutants
|---- Logiciels Musique
|------ iMusic, iPod, iTunes, MP3 etc.
|------ Cubase & Nuendo
|------ Digital Performer, AudioDesk
|------ GarageBand, SoundTrack
|------ Live
|------ Logic Express & Logic Pro
|------ Max/MSP, Bidule, SuperCollider, Pure Data...
|------ Metro
|------ Reaktor
|------ Pro Tools
|------ Reason
|------ Editeurs de Partitions
|------ Environnements de Programmation Temps Réel
|------ Plug-ins et Instrument Virtuels
|------ Logiciels musique sur MacOS X
|------ Logiciels musique sur MacOS 9
|------ Développement
|---- Interfaces et Cartes Audio, DSP, MIDI
|------ Apogee
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ Emagic
|------ M-Audio
|------ Mackie
|------ MOTU
|------ Presonus
|------ RME
|------ Tascam
|------ TC
|------ Universal Audio
|------ Tous les Autres Contrôleurs et Interfaces
|---- Le Mac et ses Périphs
|------ Mac PowerPC
|------ Mac Intel
|------ Système et autres Applications
|------ Disques Durs
|------ Les Périphériques
|------ Gestion graphique et vidéo
|------ Internet et Réseaux
|------ Le Mac et ses périphs (ancien a classer)
|---- DJ et VJ
|------ ArKaos
|------ Traktor DJ Studio
|------ Autres logiciels et matériels DJ et VJ
|---- Switch PC vers Mac
|---- Handicapés, Problèmes et Solutions Spécifiques
|-- PC Music
|---- Débutants
|---- Logiciels Musique
|------ Acid
|------ Cubase & Nuendo
|-------- Cubase sur Mac
|------ Gigasampler, Gigastudio, Gigapulse, GVI etc.
|------ Live
|------ Logic
|------ Pro Tools
|------ Pyramix
|------ Reaktor
|------ Reason
|------ Sadie
|------ Samplitude
|------ Sonar
|------ Sound Forge
|------ Plug-ins et Instrument Virtuels
|------ Editeurs de Partitions
|------ Logiciels musique sur Windows
|---- Interfaces et Cartes Audio, DSP, MIDI
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ M-Audio
|------ MOTU
|------ RME
|------ Tascam
|------ Tous les Autres Contrôleurs et Interfaces
|---- Le PC et ses Périphs
|---- Switch Mac vers PC
|-- Linux Music
|-- Audio
|---- Micros
|---- Préamplis, Recording Channels
|---- Effets et Traitements
|---- Consoles
|---- Convertisseurs
|---- Monitoring
|---- Technique et Pratique
|------ Le Studio
|------ La Scène
|------ Pré-Mastering et Mastering
|------ Le Surround
|------ Video, Broadcast, et Cinéma
|------ Sounddesign
|------ Du Numérique
|------ Théorie du Son
|------ Conception, Construction du Studio
|------ DIY, Juste Fais-le !
|---- Autres
|-- Synthétiseurs
|---- Analogiques
|---- Digital
|---- Sampleurs
|---- Pianos Électriques, Orgues Électriques, Mellotrons...
|---- Claviers Maitres
|---- BAR et Sequencers
|---- Banques de sons, de samples, Programmation
|---- Accessoires
|-- Guitares
|---- Guitares Acoustiques
|---- Guitares Électriques
|---- Basses
|---- Pédales, racks et effets
|---- Amplis
|---- Tablatures et Jeu
|---- Accessoires et Lutherie
|-- Instruments
|---- Voix et Chant
|---- Batterie
|---- Percussions
|---- Piano, Orgues, Clavecin...
|---- Cordes
|---- Bois
|---- Cuivres
|---- Accordéons
|---- Ethniques
|---- Autres instruments
|-- Musique
|---- Musiques à découvrir
|---- Les Concerts
|---- Collaborations
|---- Théorie Musicale
|-- Business
|---- Intermittents
|---- Droits d'auteur, SACEM, SDRAM, SPEDIDAM, CC...
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|-- Vox Populi
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Lo-Fi Version
- Thu 28 Nov 2024, 06:24
Article : The Practice of Mastering, part 2, MacMusic
Tue 29 Mar 2005, 10:47
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