Will This Setup Work?, Studio setup |
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Mon 6 Oct 2003, 20:38
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Newbie
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Posts: 2
Joined: 06-Oct 03
From: London - UK
Member No.: 26,195
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helo...
just got a G5... but not sure about getin sound into it!
was thinking of getting a MOTU 828 mk2 and running in a Mackie 1604vlz pro mixer cos i need preamps for recording drums. any ideas what effect the mixer inside the MOTU will have on top of the analogue mixer... do you bypass the internal mixer?
any ideas as an alternative setup maybe?
thanks
dan
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Replies
(1 - 8)
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Tue 7 Oct 2003, 14:54
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Junior Member
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Joined: 13-Sep 03
From: - US
Member No.: 24,676
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sounds like a great setup to me, danington.
the fw soundcard is a nice way to sidestep the whole pci card slot problem with the new towers, and the mackie will give you the additional flexibility for your drum mics. isn't there some way you can run the drum mics all into the 828? seems a shame to have to mixdown your drums straight off when the 828 is ready with all those inputs.
maybe if you got a mixer with enough aux sends you could manage to record all your mics separately? not sure what the best choice is and whether this is an ideal, but it seems like a bonus to me - giving you flexibilty to tweak the kick and the snare on separate tracks.
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Kit: Dual Ghz G4, Vaio 2.6ghz GRV670 notebook. Software: Reaktor, Reason, Ableton Live. Leanings: Laptop performance, jazz guitar, singing.
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Tue 7 Oct 2003, 22:07
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Newbie
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Joined: 08-Jul 03
From: Cherry Hill - US
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I have a question along those lines.
The SM57 and similar (dynamic) mics dont' use phantom power as condenser mics do. Does that mean that there is no need for a pre-amp or are they two separate things?
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Wed 8 Oct 2003, 15:31
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Maniac Member
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From: Broughton
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I don't think a Shure SM57 necessarily needs a preamp - I think if you plugged it into a guitar amp, it would amplify your toneless shouting (oh, wait, that might be just me) as required. Whether it would sound any good is another matter. Preamps generally help deliver a nicer sound whatever the mic. On the whole drum issue, I've never miked a kit in my life but I concur that simplicity seems to be a popular approach. Some people even use just the one - a top-notch condenser placed just right seems to get great-sounding results. Lenny Kravitz apparently does this a lot and, say what you like about his music, the man knows his vintage recording techniques. Led Zeppelin's drum recordings used this approach a lot, too, but they might have had the kit set up in the grand hallway of an old French chateau to take advantage of the amazing acoustics. I think When The Levee Breaks was done something like this (which inspired Sophie B Hawkins for the drum sound on Damn, I Wish I Was Your Lover). A good room is definitely as beneficial as the mics used (for any instrument or vocal recording), but I can appreciate that not many of us live in old French chateaux.
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Sat 18 Oct 2003, 18:14
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Newbie
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Joined: 03-Dec 01
From: Pittsburgh - US
Member No.: 2,536
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Hey Danington the 828 mkII and 1604 vlz would be a perfectly suited kit for recording drums a few tips: -I would plug ( up to ) 8 mics into the first eight channels of the 1604 -then I would get a balanced snake ( 8-1/4"- TRS connectors on each side of the snake) - should be available at any pro music store -plug one side of the snake into the 8 "direct outs" of the 1604 ( these are post pre - post eq outs of the first eight channels) - then the other end of snake would be plugged into all eight 1/4" inputs on the 828
setting it up this way will allow you to record eight separate tracks of drums w/ a really good signal to noise ratio
Have Fun!
to the other posters - when you reply to people seeking advice on this forum, please be like good doctors and remember your hypocratic oath, "first do no harm" if you aren't sure about the subject matter, you only serve to confuse the issue
Dabr
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"We must Become the Change We Seek" - Mohandas Karamchand Ghandi
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