MacMusic.org
|
PcMusic.org
|
440Software
|
440Forums.com
|
440Tv
|
Zicos.com
|
AudioLexic.org
Loading...
visitors connected
Home
Home
Actives Members
Site Map
Search
News
Index
Headlines
Around the web
Submit a news item
For your site
Links
Index
Latest Links
Top Links
Add a link
Community
English Forums
Search
The mailing-list
Rules
Yellow Pages
Articles
Index
Classifieds
Index
Latest Ads
Submit your Ad
My ads
Software
Index
Directory
Manufacturers
Tracker
Submit software
Documents
About
Index
About
Contact us
The Team
Contribute
Link to PcMusic
Jobs
Advertising
440 Forums
>
English
>
Vox Populi
>
Comments
The Practice of Mastering - 3 : The Position of Electroacoustics
, Article
Options
_articles_
Tue 17 May 2005, 20:44
Post
#1
Visitors
Comments about:
The Practice of Mastering - 3 : The Position of Electroacoustics
Replies (1 - 1)
_snedman_
Tue 17 May 2005, 20:44
Post
#2
Visitors
Thanks for information that is uderstandable even in this technical space.
« Next Oldest
·
Comments
·
Next Newest »
1 User(s) are reading this topic (1 Guests and 0 Anonymous Users)
0 Members:
Forum Home
Search
Help
English
|-- Mac Music
|---- Getting Started
|---- Music Software
|------ iMusic: iPod, iTunes, MP3 etc.
|------ Cubase & Nuendo
|------ Digital Performer, AudioDesk
|------ GarageBand, Soundtrack
|------ Live
|------ Logic Express & Logic Pro
|------ Metro
|------ Pro Tools
|------ Reaktor
|------ Reason
|------ Plug-Ins and Virtual Instruments
|------ Software on MacOS X
|------ Software on MacOS 9
|------ Development
|---- Audio, MIDI, DSP Cards and Interfaces, Controllers
|------ Apogee
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ Emagic
|------ M-Audio
|------ Mackie
|------ MOTU
|------ Presonus
|------ RME
|------ Tascam
|------ TC
|------ Universal Audio
|------ Other Controllers, Interfaces, DSP Cards
|---- Mac and Peripherals
|------ Mac PowerPC
|------ Mac Intel
|------ Operating System and Other Apps
|------ Hard Drives
|------ Peripherals
|------ Video and Graphics Handling
|------ Internet and Networks
|------ Mac and peripherals ARCHIVE
|---- DJ & VJ
|------ ArKaos
|------ Traktor DJ Studio
|------ Other Hardware and Software for DJ and VJ
|---- Switch PC to Mac
|---- Disabled Persons, Specific Issues and Solutions
|-- PC Music
|---- Getting Started
|---- Music Software
|------ Acid
|------ Cubase & Nuendo
|------ Gigasampler, Gigastudio, Gigapulse, GVI etc.
|------ Live
|------ Logic
|------ Pro Tools
|------ Pyramix
|------ Reaktor
|------ Reason
|------ Sadie
|------ Samplitude
|------ Sonar
|------ Sound Forge
|------ Plug-Ins and Virtual Instruments
|------ Score Editors
|------ Software on Windows
|---- Audio, MIDI, DSP Cards and Interfaces, controllers
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ M-Audio
|------ MOTU
|------ RME
|------ Tascam
|------ Other Controllers, Interfaces, DSP Cards
|---- PC and Peripherals
|---- Switch Mac to PC
|-- Linux Music
|-- Audio
|---- Microphones
|---- Preamps, Recording Channels
|---- Effects and Treatments
|---- Mixing Desks
|---- Monitoring
|---- Technique and Tricks
|------ Studio
|------ Stage
|------ Pre-Mastering and Mastering
|------ Video, Broadcasting, Film
|------ Sounddesign
|------ Sound Theory
|------ DIY, just do it now!
|------ Conception, Building in the Studio
|---- Audio Melting Pot
|-- Synthesizers
|---- Analogue Synths
|---- Digital
|---- Sound Banks, Samples, Programming
|---- Samplers
|---- Electric Pianos, Electric Organs, Mellotrons...
|---- Accessories
|-- Guitars
|---- Acoustic Guitars
|---- Electric Guitars
|---- Bass
|---- Stompboxes, Racks and Effects
|---- Amps
|---- Fingering and Playing Techniques
|---- Accessories and Lutherie
|-- Instruments
|---- Voice and Singing
|---- Drums
|---- Percussions
|---- Piano, Organ, Clavichord...
|---- Strings
|---- Woods
|---- Brass
|---- Accordions
|---- Ethnic
|---- Other Instruments
|-- Music
|---- Wanna Hear Some Music?
|---- Wanna Ear Live Music?
|---- Collaboration Corner
|---- Musical Theory
|-- Business
|---- Copyrights, Licences, CC, Public Domain
|---- Independents, Business
|---- Self production
|-- Vox Populi
|---- Comments
|---- Polls
|---- Consumer's Corner
|---- Open Bar
|-- Site Life
|---- Forum Help
|---- Suggestions, Feedback, Bugs...
|---- Testimonials
|---- Contribute, Organize, Meeting Up
|---- Audiolexic
French
|-- Mac Music
|---- Débutants
|---- Logiciels Musique
|------ iMusic, iPod, iTunes, MP3 etc.
|------ Cubase & Nuendo
|------ Digital Performer, AudioDesk
|------ GarageBand, SoundTrack
|------ Live
|------ Logic Express & Logic Pro
|------ Max/MSP, Bidule, SuperCollider, Pure Data...
|------ Metro
|------ Reaktor
|------ Pro Tools
|------ Reason
|------ Editeurs de Partitions
|------ Environnements de Programmation Temps Réel
|------ Plug-ins et Instrument Virtuels
|------ Logiciels musique sur MacOS X
|------ Logiciels musique sur MacOS 9
|------ Développement
|---- Interfaces et Cartes Audio, DSP, MIDI
|------ Apogee
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ Emagic
|------ M-Audio
|------ Mackie
|------ MOTU
|------ Presonus
|------ RME
|------ Tascam
|------ TC
|------ Universal Audio
|------ Tous les Autres Contrôleurs et Interfaces
|---- Le Mac et ses Périphs
|------ Mac PowerPC
|------ Mac Intel
|------ Système et autres Applications
|------ Disques Durs
|------ Les Périphériques
|------ Gestion graphique et vidéo
|------ Internet et Réseaux
|------ Le Mac et ses périphs (ancien a classer)
|---- DJ et VJ
|------ ArKaos
|------ Traktor DJ Studio
|------ Autres logiciels et matériels DJ et VJ
|---- Switch PC vers Mac
|---- Handicapés, Problèmes et Solutions Spécifiques
|-- PC Music
|---- Débutants
|---- Logiciels Musique
|------ Acid
|------ Cubase & Nuendo
|-------- Cubase sur Mac
|------ Gigasampler, Gigastudio, Gigapulse, GVI etc.
|------ Live
|------ Logic
|------ Pro Tools
|------ Pyramix
|------ Reaktor
|------ Reason
|------ Sadie
|------ Samplitude
|------ Sonar
|------ Sound Forge
|------ Plug-ins et Instrument Virtuels
|------ Editeurs de Partitions
|------ Logiciels musique sur Windows
|---- Interfaces et Cartes Audio, DSP, MIDI
|------ Digidesign Mbox, Mbox2, 001, 002 etc.
|------ Digidesign TDM, HD, Icon, Venue etc.
|------ Echo
|------ Edirol
|------ M-Audio
|------ MOTU
|------ RME
|------ Tascam
|------ Tous les Autres Contrôleurs et Interfaces
|---- Le PC et ses Périphs
|---- Switch Mac vers PC
|-- Linux Music
|-- Audio
|---- Micros
|---- Préamplis, Recording Channels
|---- Effets et Traitements
|---- Consoles
|---- Convertisseurs
|---- Monitoring
|---- Technique et Pratique
|------ Le Studio
|------ La Scène
|------ Pré-Mastering et Mastering
|------ Le Surround
|------ Video, Broadcast, et Cinéma
|------ Sounddesign
|------ Du Numérique
|------ Théorie du Son
|------ Conception, Construction du Studio
|------ DIY, Juste Fais-le !
|---- Autres
|-- Synthétiseurs
|---- Analogiques
|---- Digital
|---- Sampleurs
|---- Pianos Électriques, Orgues Électriques, Mellotrons...
|---- Claviers Maitres
|---- BAR et Sequencers
|---- Banques de sons, de samples, Programmation
|---- Accessoires
|-- Guitares
|---- Guitares Acoustiques
|---- Guitares Électriques
|---- Basses
|---- Pédales, racks et effets
|---- Amplis
|---- Tablatures et Jeu
|---- Accessoires et Lutherie
|-- Instruments
|---- Voix et Chant
|---- Batterie
|---- Percussions
|---- Piano, Orgues, Clavecin...
|---- Cordes
|---- Bois
|---- Cuivres
|---- Accordéons
|---- Ethniques
|---- Autres instruments
|-- Musique
|---- Musiques à découvrir
|---- Les Concerts
|---- Collaborations
|---- Théorie Musicale
|-- Business
|---- Intermittents
|---- Droits d'auteur, SACEM, SDRAM, SPEDIDAM, CC...
|---- Entreprise
|---- Autoprod
|-- Vox Populi
|---- Commentaires
|---- Sondages
|---- Le Coin Conso
|---- Open Bar
|-- Vie du Site
|---- Aide des Forums
|---- Suggestions, bugs, etc.
|---- Vos Témoignages
|---- Contribuer, Organiser, se rencontrer
|---- Audiolexic
Display Mode:
Switch to: Standard
·
Linear+
·
Switch to: Outline
Track this topic
·
Email this topic
·
Print this topic
·
Subscribe to this forum
Welcome Guest
Log In
Register
Contribute
PcMusic is YOUR site!
Your contributions are most welcome...
The Practice of Mastering - 3 : The Position of Electroacoustics, Article
Tue 17 May 2005, 20:44
